Tuesday, June 19, 2012

MyLadyWeb and Shadows In A Timeless Myth Presents The Midsummer's Eve Giveaway Hop

Hello and Welcome! 
My Brand New Paranormal Romance


 Has Recently Been Released
 

Midsummer's Eve Giveaway Hop
June 20th - June 26th 2012
And To Celebrate

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 A Little Book Of Fairy Lore 
Athena Queen of Storm and Air 

Before There Were Ewoks, There Was: H. Beam Piper's Little Fuzzy 

 Hand Shadows: A Sweet, Old-Fashioned Activity To Share With Children
Georgette Heyer's The Black Moth 
Shadows In A Timeless Myth Complimentary Short Story 

Gift Musical Jigsaw Puzzles

 A Hand Shadows Musical Jigsaw Puzzle 
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 Happy In Fairyland Musical Jigsaw Puzzle
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A Very Merry Chase 

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Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Tuesday, June 12, 2012

MyLadyWeb Presents The Indie Author Giveaway Hop

Hello and Welcome! 
My Brand New Paranormal Romance


 Has Just Been Released

Indie Author Giveaway Hop
June 13th - June 19th 2012
And To Celebrate

I am providing several gifts just to thank everyone for stopping by... 
If you would like to say Thank You In Return... 
Please Like Shadows In A Timeless Myth On Amazon
Or
Our Book Trailer Video On You Tube

Gift Books In PDF format
 A Little Book Of Fairy Lore 
Athena Queen of Storm and Air 

Before There Were Ewoks, There Was: H. Beam Piper's Little Fuzzy 

 Hand Shadows: A Sweet, Old-Fashioned Activity To Share With Children
Georgette Heyer's The Black Moth 
Shadows In A Timeless Myth Complimentary Short Story 

Gift Musical Jigsaw Puzzles

 A Hand Shadows Musical Jigsaw Puzzle 
Fairy Flight Musical Jigsaw Puzzle 

 Happy In Fairyland Musical Jigsaw Puzzle
A Knight and His Lady Musical Jigsaw Puzzle
 Shadows In A Timeless Myth Musical Jigsaw Puzzle

The Gifts Are All Free

However, If you would like to enter to win a 
PDF copy of my old-fashioned Regency Romance
A Very Merry Chase 

with a personalized inscription, 
please leave a comment below telling me what number you were when you
Liked  
Shadows In A Timeless Myth 

On Amazon 

Or your number when you liked our
 Video Trailer
or our  
Shadows In A Timeless Myth Facebook Page


There are also lots of free gifts available at 
LadySilk's Regency Romance Revival 
On Our Complimentary Bookshelf
Or In The Photo Gallery On Our Facebook Page 
So be sure to bookmark us so you can come back after
The Indie Author Giveaway Hop Is Over.


Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Tuesday, June 5, 2012

Callisto and Son: A Tragedy of Jealously

Mother Bear and Little Bear, Ursa Major and Ursa Minor, Callisto and Arcas, Mother and Son, Safe Among the Stars.

Callisto was another maiden who excited the jealousy of Juno, and the goddess changed her into a bear. Let it be noted here that Callisto did not return the affections of Jupiter, but was in love with the goddess Artemis and was only tricked into making love with Jupiter when he took the form of Artemis.

Juno, however, did not care about any of that. "I will take away," said she, :"that beauty with which you have captivated my husband." Down fell Callisto on her hands and knees; she tried to stretch out her arms in supplication,-- they were already beginning to be covered with black hair. Her hands grew rounded, became armed with crooked claws, and served for feet; her mouth, which Jupiter used to praise for its beauty, became a horrid pair of jaws; her voice, which if unchanged would have moved the heart to pity, became a growl, more fit to inspire terror. Yet her former disposition remained, and, with continued groaning, she bemoaned her fate, and stood upright as well as she could, lifting up her paws to beg for mercy; and felt that Jupiter was unkind, though she could not tell him so.

Ah, how often, afraid to stay in the woods all night alone, she wandered about the neighborhood of her former haunts; how often, frightened by the dogs, did she, so lately a huntress, fly in terror from the hunters! Often she fled from the wild beasts, forgetting that she was now a wild beast herself; and, bear as she was, was afraid of the bears.

One day a youth espied her as he was hunting. She saw him and recognized him as her own son, Arcas, child of her undesired and ill-fated union with Jupiter, now grown into a young man. She stopped, and felt inclined to embrace him. As she was about to approach, he, alarmed, raised his hunting spear, and was on the point of transfixing her, when Jupiter, beholding, arrested the crime, and, snatching away both of them, placed them in the heavens as the Great and Little Bear.

Juno was in a rage to see her rival so set in honor, and hastened to ancient Tethys and Oceanus, the powers of ocean, and, in answer to their inquiries, thus told the cause of her coming; "Do you ask why I, the queen of the gods, have left the heavenly plains and sought your depths. Learn that I am supplanted in heaven,-- my place is given to another. You will hardly believe me; but look when night darkens the world, and you shall see the two, of whom I have so much reason to complain, exalted to the heavens, in that part where the circle is the smallest, in the neighborhood of the pole. Why should any one hereafter tremble at the thought of offending Juno, when such rewards are the consequence of my displeasure! See what I have been able to effect! I forbade her to wear the human form,-- she is placed among the stars! So do my punishments result,-- such is the extent of my power! Better that she should have resumed her former shape, as I permitted Io to do. Perhaps he means to marry her, and put me away! But you, my foster parents, if you feel for me, and see with displeasure this unworthy treatment of me, show it, I beseech you, by forbidding this guilty couple from coming into your waters." The powers of the ocean assented, and consequently the two constellations of the Great and Little Bear move round and round in heaven, but never sink, as the other stars do, beneath the ocean.

Milton alludes to the fact that the constellation of the Bear never sets, when he says,

  "Let my lamp at midnight hour
  Be seen in some high lonely tower,
  Where I may oft outwatch the Bear."
  Il Penseroso

And Prometheus, in James Russell Lowell's poem, says,

"One after one the stars have risen and set,
Sparkling upon the hoar-frost of my chain;
The Bear that prowled all night about the fold
Of the North Star, hath shrunk into his den,
Scared by the blithsome footsteps of the dawn."

The last star in the tail of the Little Bear is the Pole star, called also the Cynosure.  Milton says,

  "Straight mine eye hath caught new pleasures
  While the landscape round it measures.

  *    *    *    *    *    *    *    *
  Towers and battlements it sees
  Bosomed high in tufted trees,
  Where perhaps some beauty lies
  The Cynosure of neighboring eyes."
  L'Allegro.

The reference here is both to the Pole-star as the guide of mariners, and to the magnetic attraction of the North.  He calls it also the "Star of Aready," because Callisto's boy was named Arcas, and they lived in Arcadia.  In Milton's Comus, the elder brother, benighted in the woods, says,

  "Some gentle taper!
  Through a rush candle, from the wicker hole
  Of some clay habitation, visit us
  With thy long leveled rule of streaming light,
  And thou shalt be our star of Aready,
  Or Tyrian Chynsure."

 Compiled From Sources In The Public Domain.


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Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Sunday, June 3, 2012

Io and Jupiter and Juno...Oh My!


Io and Jupiter and Juno: Tragic Triangle or Merely The Just Vengeance of a Cuckolded Wife?

Jupiter and Juno, although husband and wife, did not live together very happily. Jupiter did not love his wife very much, and Juno distrusted her husband, and was always accusing him of unfaithfulness.
One day she perceived that it suddenly grew dark, and immediately suspected that her husband had raised a cloud to hide some of his doings that would not bear the light. She brushed away the cloud, and saw her husband, on the banks of a glassy river, with a beautiful heifer standing near him. Juno suspected that the heifer's form concealed some fair nymph of mortal mold. This was indeed the case; for it was Io, the daughter of the river god Inachus, whom Jupiter had been flirting with, and, when he became aware of the approach of his wife, had changed into that form.

Juno joined her husband, and noticing the heifer, praised its beauty, and asked whose it was, and of what herd. Jupiter, to stop questions, replied that it was a fresh creation from the earth. Juno asked to have it as a gift. What could Jupiter do? He was loth to give his mistress to his wife; yet how refuse so trifling a present as a simple heifer? He could not, without arousing suspicion; so he consented. The goddess was not yet relieved of her suspicions; and she delivered the heifer to Argus, to be strictly watched.

Now Argus had a hundred eyes in his head, and never went to sleep with more than two at a time, so that he kept watch of Io constantly. He suffered her to feed through the day, and at night tied her up with a vile rope round her neck. She would have stretched out her arms to implore freedom of Argus, but she had no arms to stretch out, and her voice was a bellow that frightened even herself. She saw her father and her sisters, went near them, and suffered them to pat her back, and heard them admire her beauty. Her father reached her a tuft o grass, and she licked the outstretched hand. She longed to make herself known to him, and would have uttered her wish; but, alas! words were wanting. At length she bethought herself of writing, and inscribed her name it was a short one with her hoof on the sand. Inachus recognized it, and discovering that his daughter, whom he had long sought in vain, was hidden under this disguise, mourned over her, and, embracing her white neck, exclaimed, "Alas! My daughter, it would have been a less grief to have lost you altogether!" While he thus lamented, Argus, observing, came and drove her away, and took his seat on a high bank, whence he could see in every direction.

Jupiter was troubled at beholding the sufferings of his mistress, and calling Mercury, told him to go and despatch Argus. Mercury made haste, put his winged slippers on his feet, and cap on his head, took his sleep-producing wand, and leaped down from the heavenly towers to the earth. There he laid aside his wings, and kept only his wand, with which he presented himself as a shepherd driving his flock. As he strolled on he blew upon his pipes. These were what are called the Syrinx or Pandean pipes. Argus listened with delight, for he had never heard the instrument before. "Young man," said he, "come and take a seat by me on this stone. There is no better place for your flock to graze in than hereabouts, and here is a pleasant shade such as shepherds love." Mercury sat down, talked, and told stories until it grew late, and played upon his pipes his most soothing strains, hoping to lull the watchful eyes to sleep, but all in vain; for Argus still contrived to keep some of his eyes open, though he shut the rest.

To free Io, Jupiter had Argus slain by Mercury, who disguised himself as a shepherd, and put all of Argus's eyes asleep with boring stories. To commemorate her faithful watchman, Hera had the hundred eyes of Argus preserved forever, in a peacock's tail.

But the vengeance of Juno was not yet satiated. She sent a gadfly to torment Io, who fled over the whole world from its pursuit. She swam through the Ionian Sea, which derived its name from her, then roamed over the plains of Illyria, ascended Mount Haemus, and crossed the Thracian strait, thence named the Bosphorus (cow-bearer), rambled on through Scythia and the country of the Cimmerians, and arrived at last on the banks of the Nile. At length Jupiter interceded for her, and, upon his promising not to pay her any more attentions, Juno consented to restore her to her form. It was curious to see her gradually recover her former self. The coarse hairs fell from her body, her horns shrunk up, her eyes grew narrower, her mouth shorter; hands and fingers came instead of hoofs to her forefeet; in fine, there was nothing left of the heifer except her beauty. At first she was afraid to speak for fear she should low, but gradually she recovered her confidence, and was restored to her father and sisters. 

Compiled From Sources In The Public Domain.

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Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Friday, June 1, 2012

Cephalus and Procris: Tragic Victims of Lust and Gossip

CEPHALUS AND PROCRIS

Cephalus was a beautiful youth and fond of manly sports. He would rise before the dawn to pursue the chase. Aurora saw him when she first looked forth, fell in love with him, and stole him away. But Cephalus was just married to a charming wife whom he loved devotedly. Her name was Procris. She was a favorite of Diana, the goddess of hunting, who had given her a dog which could outrun every rival, and a javelin which would never fail of its mark; and Procris gave these presents to her husband.


Cephalus was so happy in his wife that he resisted all the entreaties of Aurora, and she finally dismissed him in displeasure, saying, "Go, ungrateful mortal, keep your wife, whom, if I am not much mistaken, you will one day be very sorry you ever saw again."

Cephalus returned, and was as happy as ever in his wife and his woodland sports. Now it happened some angry deity had sent a ravenous fox to annoy the country; and the hunters turned out in great strength to capture it. Their efforts were all in vain; no dog could run it down; and at last they came to Cephalus to borrow his famous dog, whose name was Lelaps. No sooner was the dog let loose than he darted off, quicker than their eye could follow him. If they had not seen his footprints in the sand they would have thought he flew.

Cephalus and others stood on a hill and saw the race. The fox tried every art; he ran in a circle and turned on his track, the dog close upon him, with open jaws, snapping at his heels, but biting only the air. Cephalus was about to use his javelin, when suddenly he saw both dog and game stop instantly. The heavenly powers who had given both, were not willing that either should conquer. In the very attitude of life and action they were turned into stone. So lifelike and natural did they look, you would have thought, as you looked at them, that one was going to bark, the other to leap forward.

Cephalus, though he had lost his dog, still continued to take delight in the chase. He would go out at early morning, ranging the woods and hills unaccompanied by any one, needing no help, for his javelin was a sure weapon in all cases. Fatigued with hunting, when the sun got high he would seek a shady nook where a cool stream flowed, and, stretched on the grass with his garments thrown aside, would enjoy the breeze. Sometimes he would say aloud, "Come, sweet breeze, come and fan my breast, come and allay the heat that burns me." Some one passing by one day heard him talking in this way to the air, and, foolishly believing that he was talking to some maiden, went and told the secret to Procris, Cephalus's wife.

Love is credulous. Procris, at the sudden shock, fainted away. Presently recovering, she said, "It cannot be true; I will not believe it unless I myself am a witness to it." So she waited, with anxious heart, till the next morning, when Cephalus went to hunt as usual. Then she stole out after him, and concealed herself in the place where the informer directed her. Cephalus came as he was wont when tired with sport, and stretched himself on the green bank, saying, "Come, sweet breeze, come and fan me; you know how I love you! You make the groves and my solitary rambles delightful." He was running on in this way when he heard, or thought he heard, a sound as of a sob in the bushes.

Supposing it some wild animal, he threw hie javelin at the spot. A cry from his beloved Procris told him that the weapon had too surely met its mark. He rushed to the place, and found her bleeding and with sinking strength endeavoring to draw forth from the wound the javelin, her own gift.

Cephalus raised her from the earth, strove to stanch the blood, and called her to revive and not to leave him miserable, to reproach himself with her death. She opened her feeble eyes, and forced herself to utter these few words: "I implore you, if you have ever loved me, if I have ever deserved kindness at your hands, my husband, grant me this last request; do not marry that odious Breeze!"

Compiled From Sources In The Public Domain.

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Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Wednesday, May 30, 2012

Daphne-Daughter of a God: Innocent Victim of Mischief and Lust

Daphne was Apollo's first love. It was not brought about by accident, but by the malice of Cupid. Apollo saw the boy playing with his bow and arrows; and being himself elated with his recent victory over Python, he said to him, "What have you to do with warlike weapons, saucy boy? Leave them for hands worthy of them. Behold the conquest I have won by means of them over the vast serpent who stretched his poisonous body over acres of the plain! Be content with your torch, child, and kindle up your flames, as you call them, where you will, but presume not to meddle with my weapons."

Venus's boy heard these words, and rejoined, ":Your arrows may strike all things else, Apollo, but mine shall strike you.:" So saying, he took his stand on a rock of Parnassus, and drew from his quiver two arrows of different workmanship, one to excite love, the other to repel it. The former was of gold and sharp-pointed, the latter blunt and tipped with lead. With the leaden shaft he struck the nymph Daphne, the daughter of the river god Peneus, and with the golden one Apollo, through the heart. Forthwith the god was seized with love for the maiden, and she abhorred the thought of loving. Her delight was in woodland sports and in the spoils of the chase. Many lovers sought her, but she spurned them all, ranging the woods, and taking thought neither of Cupid nor of Hymen. Her father often said to her, "Daughter, you owe me a son-in-law; you owe me grandchildren." She, hating the thought of marriage as a crime, with her beautiful face tinged all over with blushes, threw her arms around her father's neck, and said, "Dearest father, grant me this favor, that I may always remain unmarried, like Diana." He consented, but at the same time said, "Your own face will forbid it."

Apollo loved her, and longed to obtain her; and he who gives oracles to all in the world was not wise enough to look into his own fortunes. He saw her hair flung loose over her shoulders, and said, "If so charming in disorder, what would it be if arranged?" He saw her eyes bright as stars; he saw her lips, and was not satisfied with only seeing them. He admired her hands and arms bared to the shoulder, and whatever was hidden from view he imagined more beautiful still. He followed her; she fled, swifter than the wind, and delayed not a moment at his entreaties. "Stay," said he, "daughter of Peneus; I am not a foe. Do not fly me as a lamb flies the wolf, or a dove the hawk. It is for love I pursue you. You make me miserable, for fear you should fall and hurt yourself on these stones, and I should be the cause. Pray run slower, and I will follow slower. I am no clown, no rude peasant. Jupiter is my father, and I am lord of Delphos and Tenedos, and know all things, present and future. I am the god of song and the lyre. My arrows fly true to the mark; but alas! An arrow more fatal than mine has pierced my heart! I am the god of medicine, and know the virtues of all healing plants. Alas! I suffer a malady that no balm can cure!"

The nymph continued her flight, and left his plea half uttered. And even as she fled she charmed him. The wind blew her garments, and her unbound hair streamed loose behind her. The god grew impatient to find his wooings thrown away, and, sped by Cupid, gained upon her in the race. It was like a hound pursuing a hare, with open jaws ready to seize, while the feebler animal darts forward, slipping from the very grasp. So flew the god and the virgin he on the wings of love, and she on those of fear. The pursuer is the more rapid, however, and gains upon her, and his panting breath blows upon her hair. Now her strength begins to fail, and, ready to sink, she calls upon her father, the river god: "Help me, Peneus! Open the earth to enclose me, or change my form, which has brought me into this danger!"

Scarcely had she spoken, when a stiffness seized all her limbs; her bosom began to be enclosed in a tender bark; her hair became leaves; her arms became branches; her feet stuck fast in the ground, as roots; her face became a tree-top, retaining nothing of its former self but its beauty. Apollo stood amazed. He touched the stem, and felt the flesh tremble under the new bark. He embraced the branches, and lavished kisses on the wood. The branches shrank from his lips. "Since you cannot be my wife," said he, "you shall assuredly be my tree. I will wear you for my crown. With you I will decorate my harp and my quiver; and when the great Roman conquerors lead up the triumphal pomp to the Capitol, you shall be woven into wreaths for their brows. And, as eternal youth is mine, you also shall be always green, and your leaf know no decay."

The nymph, now changed into a laurel tree, bowed its head in grateful acknowledgment.

Compiled From Sources In The Public Domain.

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Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Monday, May 28, 2012

Pyramus and Thisbe: The Ancient Babylonian Romeo and Juliet

Pyramus was the handsomest youth, and Thisbe the fairest maiden, in all Babylonia, where Semiramis reigned. Their parents occupied adjoining houses; and neighborhood brought the young people together, and acquaintance ripened into love. They would gladly have married, but their parents forbade. One thing, however, they could not forbid that love should glow with equal ardor in the bosoms of both. They conversed by signs and glances, and the fire burned more intensely for being covered up. In the wall that parted the two houses there was a crack, caused by some fault in the structure. No one had remarked it before, but the lovers discovered it. 'What will love not discover? It afforded a passage to the voice; and tender messages used to pass backward and forward through the gap. As they stood, Pyramus on this side, Thisbe on that, their breaths would mingle. "Cruel wall," they said, "why do you keep two lovers apart? But we will not be ungrateful. We owe you, we confess, the privilege of transmitting loving words to willing ears." Such words they uttered on different sides of the wall; and when night came and they must say farewell, they pressed their lips upon the wall, she on her side, he on his, as they could come no nearer.

One morning, when Aurora had put out the stars, and the sun had melted the frost from the grass, they met at the accustomed spot. Then, after lamenting their hard fate, they agreed that next night, when all was still, they would slip away from watchful eyes, leave their dwellings and walk out into the fields; and to insure a meeting, repair to a well-known edifice, standing without the city's bounds, called the tomb of Ninus, and that the one who came first should await the other at the foot of a certain tree. It was a white mulberry tree and stood near a cool spring. All was agreed on, and they waited impatiently for the sun to go down beneath the waters and night to rise up from them. Then cautiously Thisbe stole forth, unobserved by the family, her head covered with a veil, made her way to the monument and sat down under the tree. As she sat alone in the dim light of the evening she descried a lioness, her jaws reeking with recent slaughter, approaching the fountain to slake her thirst. Thisbe fled at the sight, and sought refuge in the hollow of a rock. As she fled she dropped her veil. The lioness, after drinking at the spring, turned to retreat to the woods, and seeing the veil on the ground, tossed and rent it with her bloody mouth.

Pyramus, having been delayed, now approached the place of meeting. He saw in the sand the footsteps of the lion, and the color fled from his cheeks at the sight. Presently he found the veil all rent and bloody. "Oh, hapless girl," said he, "I have been the cause of thy death! Thou, more worthy of life than I, hast fallen the first victim. I will follow. I am the guilty cause, in tempting thee forth to a place of such peril, and not being myself on the spot to guard thee. Come forth, ye lions, from the rocks, and tear this guilty body with your teeth" He took up the veil, carried it with him to the appointed tree, and covered it with kisses and with tears. "My blood also shall stain your texture," said he, and drawing his sword plunged it into his heart. The blood spurted from the wound, and tinged the white mulberries of the tree all red; and sinking into the earth reached the roots, so that the red color mounted through the trunk to the fruit.

By this time, Thisbe, still trembling with fear, yet wishing not to disappoint her lover, stepped cautiously forth, looking anxiously for the youth, eager to tell him the danger she had escaped. When she came to the spot and saw the changed color of the mulberries she doubted whether it was the same place. While she hesitated she saw the form of one struggling in the agonies of death. She started back, a shudder ran through her frame as a ripple on the face of the still water when a sudden breeze sweeps over it. But as soon as she recognized her lover, she screamed and beat her breast; embracing the lifeless body, pouring tears into its wounds, and imprinting kisses on the cold lips. "Oh, Pyramus," she cried, "what has done this? Answer me, Pyramus; it is your own Thisbe that speaks. Hear me, dearest, and lift that drooping head!" At the name of Thisbe, Pyramus opened his eyes, then closed them again. She saw her veil stained with blood and the scabbard empty of its sword. "Thy own hand has slain thee, and for my sake," she said. "I too can be brave for once, and my love is as strong as thine. I will follow thee in death, for I have been the cause; and death, which alone could part us, shall not prevent my joining thee. And ye, unhappy parents of us both, deny us not our united request. As love and death have joined us, let one tomb contain us. And thou, tree, retain the marks of slaughter. Let thy berries still serve for memorials of our blood." So saying, she plunged the sword into her breast. Her parents acceded to her wish; the gods also ratified it. The two bodies were buried in one sepulcher, and the tree ever after brought forth purple berries, as it does to this day.

Moore, in the Sylph's Ball, speaking of Davy's Safety Lamp, is reminded of the wall that separated Thisbe and her lover:--

  "O for that lamp's metallic gauze,
  That curtain of protecting wire,
  Which Davy delicately draws
  Around illicit, dangerous fire!

  "The wall he sets 'twixt Flame and Air,
  (Like that which barred young Thisbe's bliss),
  Through whose small holes this dangerous pair
  May see each other, but not kiss."

In Mickle's translation of the Lusiad occurs the following allusion to the story of Pyramus and Thisbe, and the metamorphosis of the mulberries.  The poet is describing the Island of Love.

  "here each gift Pomona's hand bestows
  In cultured garden, free uncultured flows,
  The flavor sweeter and the hue more fair
  Than e'er was fostered by the hand of care.
  The cherry here in shining crimson glows,
  And stained with lover's blood, in pendent rows,
  The mulberries o'erload the bending boughs."

If any of our readers can be so hard-hearted as to enjoy a laugh at the expense of poor Pyramus and Thisbe, they may find an opportunity by turning to Shakespeare's play of Midsummer Night's
Dream, where it is most amusingly burlesqued.

Here is the description of the play and the characters by the Prologue.

  "Gentles, perchance you wonder at this show;
  But wonder on, till truth makes all things plain.
  This man is Pyramus, if you would know;
  This lovely lady Thisby is certain.

  This man with lime and roughcast, doth present
  Wall, that vile Wall, which did these lovers sunder;
  And through Wall's chink, poor souls, they are content
  To whisper.  At the which let no man wonder.
  This man, with lanthorn, dog and bush of thorn,
  Presenteth Moonshine; for, if you will know,
  By Moonshine did these lovers think no scorn
  To meet at Ninus' tomb, there, there to woo.
  This grisly beast, which by name Lion hight.
  The trusty Thisby, coming first by night,
  Did scare away, or rather did affright;
  And, as she fled, her mantle she did fall,
  Which Lion vile with bloody mouth did stain.

  Anon comes Pyramus, sweet youth and tall,
  And finds his trusty Thisby's mantle slain;
  Whereat with blade, with bloody blameful blade,
  He bravely broached his boiling bloody breast;
  And, Thisby, tarrying in mulberry shade,
  His dagger drew and died."
  Midsummer Night's Dream,
  v.1,128, et seq

 Compiled From Sources In The Public Domain.


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Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Friday, May 25, 2012

Boadicea: Warrior Queen and Heroine of Britain

Boadicea, Heroine of Britain

Prasutagus, the king of the Icenians, a tribe of the ancient Britons, had amassed much wealth in the course of a long reign. On his death, in order to secure the favor of the Romans, now masters of the island, he left half his wealth by will to the emperor and half to his two daughters. This well-judged action of the barbarian king did not have the intended effect. No sooner was he dead than the Romans in the vicinity claimed the whole estate as theirs, ruthlessly pillaged his house, and seized all his effects.

This base brigandage roused Boadicea, the widowed queen, to a vigorous protest, but with the sole result of bringing a worse calamity upon her head. She was seized and cruelly scourged by the ruthless Romans, her two daughters were vilely maltreated, and the noblest of the Icenians were robbed of their possessions by the plunderers, who went so far as to reduce to slavery the near relatives of the deceased king.

Roused to madness by this inhuman treatment, the Icenians broke into open revolt. They were joined by a neighboring state, while the surrounding Britons, not yet inured to bondage, secretly resolved to join the cause of liberty. There had lately been planted a colony of Roman veterans at Camalodunum (Colchester), who had treated the Britons cruelly, driven them from their houses, and insulted them with the names of slaves and captives; while the common soldiers, a licentious and greedy crew, still further degraded and robbed the owners of the land.

The invaders went too far for British endurance, and brought a terrible retribution upon themselves. Paulinus Suetonius, an able officer, who then commanded in Britain, was absent on an expedition to conquer the island of Mona. Of this expedition the historian Tacitus gives a vivid account. As the boats of the Romans approached the island they beheld on the shore the Britons prepared to receive them, while through their ranks rushed their women in funereal attire, their hair flying loose in the wind, flaming torches in their hands, and their whole appearance recalling the frantic rage of the fabled Furies. Near by, ranged in order, stood the venerable Druids, or Celtic priests, with uplifted hands, at once invoking the gods and pouring forth imprecations upon the foe.

The novelty and impressiveness of this spectacle filled the Romans with awe and wonder. They stood in stupid amazement, riveted to the spot, and a mark for the foe had they been then attacked. From this brief paralysis the voice of their general recalled them, and, ashamed of being held in awe by a troop of women and a band of fanatic priests, they rushed to the assault, cut down all before them, and set fire to the edifices and the sacred groves of the island with the torches which the Britons themselves had kindled.

But Suetonius had chosen a perilous time for this enterprise. During his absence the wrongs of the Icenians and the exhortations of Boadicea had roused a formidable revolt, and the undefended colonies of the Romans were in danger.

In addition to the actual peril the Romans were frightened with dire omens. The statue of victory at Camalodunum fell without any visible cause, and lay prostrate on the ground. Clamors in a foreign accent were heard in the Roman council chamber, the theaters were filled with the sound of savage howlings, the sea ran purple as with blood, the figures of human bodies were traced on the sands, and the image of a colony in ruins was reflected from the waters of the Thames.

These omens threw the Romans into despair and filled the minds of the Britons with joy. No effort was made by the soldiers for defense, no ditch was dug, no palisade erected, and the assault of the Britons found the colonists utterly unprepared. Taken by surprise, the Romans were overpowered, and the colony was laid waste with fire and sword. The fortified temple alone held out, but after a two days' siege it also was taken, and the legion which marched to its relief was cut to pieces.
Boadicea was now the leading spirit among the Britons. Her wrongs had stirred them to revolt, and her warlike energy led them to victory and revenge. But she was soon to have a master-spirit to meet. Suetonius, recalled from the island of Mona by tidings of rebellion and disaster, marched hastily as far as London, which was even then the chief residence of the merchants and the center of trade and commerce of the island.

His army was small, not more than ten thousand men in all. That of the Britons was large. The interests of the empire were greater than those of any city, and Suetonius found himself obliged to abandon London to the barbarians, despite the supplications of its imperiled citizens. All he would agree to was to take under his protection those who chose to follow his banner. Many followed him, but many remained, and no sooner had he marched out than the Britons fell in rage on the settlement, and killed all they found. In like manner they ravaged Verulamium (St. Albans). Seventy thousand Romans are said to have been put to the sword.

Meanwhile Suetonius marched through the land, and at length the two armies met. The skilled Roman general drew up his force in a place where a thick forest sheltered the rear and flanks, leaving only a narrow front open to attack. Here the Britons, twenty times his number, and confident of victory, approached. The warlike Boadicea, tall, stern of countenance, her hair hanging to her waist, a spear in her hand, drove along their front in a warlike car, with her two daughters by her side, and eloquently sought to rouse her countrymen to thirst for revenge.

Telling them of the base cruelty with which she and her daughters had been treated, and painting in vivid words the arrogance and insults of the Romans, she besought them to fight for their country and their homes. "On this spot we must either conquer or die with glory," she said. "There is no alternative. Though I am a woman, my resolution is fixed. The men, if they prefer, may survive with infamy and live in bondage. For me there is only victory or death."

Stirred to fury by her words, the British host poured like a deluge on their foes. But the Roman arms and discipline proved far too much for barbarian courage and ferocity. The British were repulsed, and, rushing forward in a wedge shape, the legions cut their way with frightful carnage through the disordered ranks. The cavalry seconded their efforts. Thousands fell. The rest took to flight. But the wagons of the British, which had been massed in the rear, impeded their flight, and a dreadful slaughter, in which neither sex nor age was spared, ensued. Tacitus tells us that eighty thousand Britons fell, while the Roman slain numbered no more than four hundred men.

Boadicea, who had done her utmost to rally her flying hosts, kept to her resolution. When all was lost, she took poison, and perished upon the field where she had vowed to seek victory or death. With her decease the success of the Britons vanished. Though they still kept the field, they gradually yielded to the Roman arms, and Britain became in time a quiet and peaceful part of the great empire of Rome.


 Compiled From Sources In The Public Domain.


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Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Sunday, May 20, 2012

The Murder Of The Empress Julia Agrippina

The Murder Of The Empress Julia Agrippina: Mother of Nero The Mad

Nero was mad lord of Rome. Weak and immoral--a fortune of birth, and the schemes of his mother had granted him unlimited control of the greatest of nations. Utterly destitute of principle, he gradually descended into the deepest vice and profligacy, which was soon succeeded by the basest cruelty and treachery. And one of the first victims of his treachery was his own mother, who had murdered her husband, the Emperor Claudius, to place him on the throne, and had now committed the deeper fault of attempting to control her worthless and faithless son.

She had threatened to replace him on the throne with his half-brother Britannicus, and Nero had escaped this difficulty by poisoning Britannicus. She then opposed his vicious passions, and made a bitter foe of his mistress Poppæa, who by every artifice incensed the weak-minded emperor against his mother, representing her as the only obstacle to his full enjoyment of power and pleasure.
At length the detestable son was wrought up to the resolution of murdering her to whom he owed his life. But how? He was too cowardly and irresolute to take open means. Should he remove her by poison or the poignard? The first was doubtful. Agrippina was too practiced in guilt, too accustomed to vile deeds, to be easily deceived, and had, moreover, by taking poisons, hardened her frame against their effect. Nor could she be killed by the knife and the murder concealed. The murder-seeking wretch, who had no plan, and no stronger person than himself in whom he could confide, was at a loss how to carry out his wicked purpose.

At this juncture his tutor Anicetus came to his aid. This villain, who bitterly hated Agrippina, was now in command of the fleet that lay at Misenum. He proposed to Nero to have a vessel built in such a manner that it might give way in the open sea, and plunge to the bottom with all not prepared to escape. If Agrippina could be lured on board such a vessel, her drowning would seem one of the natural disasters of the open sea.

This suggestion filled with joy the mind of the unnatural son. The court was then at Baiæ, celebrating the festival called the Quinquatria. Agrippina was invited to attend, and Nero, pretending a desire for reconciliation, went to the sea-shore to meet her on her arrival, embraced her tenderly, and conducted her to a villa in a pleasant situation, looking out on a charming bay of the Mediterranean.

On the waters of the bay floated a number of vessels, among which was one superbly decorated, being prepared, as she was told, in her honor as the emperor's mother. This was intended to convey her to Baiæ, where a banquet was to be given to her that evening.


Agrippina was fond of sailing. She had frequently joined coasting parties and made pleasure trips of her own. But for some reason, perhaps through suspicion of Nero's dark project, she now took a carriage in preference, and arrived safely at Baiæ, much to the discomfiture of her worthless son.
Nero, however, was cunning enough to conceal his disappointment. He gave her the most gracious reception, placed her at table above himself, and by his affectionate attentions and his easy flow of talk succeeded in dispelling any suspicions his mother may have entertained.

The banquet was continued till a late hour, and when Agrippina rose to go Nero attended her to the shore, where lay the sumptuously decorated vessel ready to convey her back to her villa. Here he lavished upon her marks of fond affection, clasped her warmly to his bosom, and bade her adieu in words of tender regret, disguising his fell purpose under the utmost show of tenderness.

Agrippina went on board, attended by only two of her train, one of whom, a maid named Acerronia, lay at the foot of her mistress's couch, and gladly expressed her joy at the loving reconciliation which she had just perceived.

The night was calm and serene. The stars shone with their brightest luster. The sea extended with an unruffled surface. The vessel moved swiftly, at no great distance from the shore, under the regular sweep of the rowers' oars. Yet little way had been made when there came a disastrous change. A signal was given, and suddenly the deck over Agrippina's cabin sank in, borne down by a great weight of lead.

One of the attendants of the empress was crushed to death, but the posts of Agrippina's couch proved strong enough to bear the weight, and she and Acerronia escaped and made their way hastily to the deck. Here confusion and consternation reigned. The plot had failed. The vessel had not fallen to pieces at once, as intended. Those who were not in the plot rushed wildly to and fro, hampering, by their distracted movements, the operations of the guilty. These sought to sink the vessel at once, but in spite of their efforts the ship sank but slowly, giving the intended victims an opportunity to escape.
Acerronia, with instinctive devotion to her mistress, or a desire to save her own life, cried out that she was Agrippina, and pathetically implored the mariners to save her life. She won death instead. The assassins attacked her with oars and other weapons, and beat her down to the sinking deck.

Agrippina, on the contrary, kept silent, and, with the exception of a wound on her shoulder, remained unhurt. Dashing into the dark waters of the bay, she swam towards the shore, and managed to keep herself afloat till taken up by a boat, in which some persons who had witnessed the accident from the shore had hastily put out. Telling her rescuers who she was, they conveyed her up the bay to her villa.
Agrippina had been concerned in too many crimes of her own devising to be deceived. The treachery of her son was too evident. Without touching a rock, and in complete calm, the vessel had suddenly broken down, as if constructed for the purpose. Her own wound and the murder of her maid were further proofs of a premeditated plot. Yet she was too shrewd to make her suspicions public. The plot had failed, and she was still alive. She at once dispatched a messenger to her son, saying that by the favor of the gods and his good auspices she had escaped shipwreck, and that she thus hastened to quiet his affectionate fears. She then retired to her couch.

Meanwhile Nero waited impatiently for the news of his mother's death. When word was at length brought him that she had escaped, his craven soul was filled with terror. If this should get abroad; if she should call on her slaves, on the army, on the senate; if the people should learn of the plot of murder, and rise in riot; if any of a dozen contingencies should happen, all might be lost.

The terrified emperor was in a frightful quandary. He sent in all haste for his advisers, but none of them cared to offer any suggestions. At length the villainous Anicetus came to his aid. While they talked the messenger of Agrippina had arrived, and was admitted to give his message to the prince. As he was speaking Anicetus foxily let fall a dagger between his legs. He instantly seized him, snatched up the dagger and showed it to the company, and declared that the wretch had been sent by Agrippina to assassinate her son. The guards were called in, the man was ordered to be dragged away and put in fetters, and the story of the discovered plot of Agrippina was made public.


"Death to the murderess!" cried Anicetus. "Let me hasten at once to her punishment."

Nero gladly assented, and Anicetus hurried from the room, empowered to carry out his murderous intent.

Meanwhile the news of the peril and escape of the empress had spread far and wide. A dreadful accident had occurred, it was said. The people rushed in numbers to the shore, crowded the piers, filled the boats, and gave voice to a medley of cries of alarm. The uproar was at length allayed by some men with lighted torches, who assured the excited multitude that Agrippina had escaped and was now safe in her villa.

While they were speaking a body of soldiers, led by Anicetus, arrived, and with threats of violence dispersed the peasant throng. Then, planting a guard round the mansion, Anicetus burst open its doors, seized the slaves who appeared, and forced his way to the apartment of the empress.

Here Agrippina waited in fear and agitation the return of her messenger. Why came he not? Was new murder in contemplation? She heard the tumult and confusion on the shore, and learned from her attendants what it meant. But the noise was suddenly hushed; a dismal silence prevailed; then came new noises, then loud tones of command, and violent blows on the outer doors. In dread of what was coming, the unhappy woman waited still, till loud steps sounded in the passage, the attendants at her door were thrust aside, and armed men entered her chamber.


The room was in deep shadow, only the pale glimmer of a feeble light breaking the gloom. A single maid remained with the empress, and she, too, hastened to the door on hearing the tramp of warlike feet.

"Do you, too, desert me?" cried Agrippina, in deep reproach.

At that moment Anicetus entered the room, followed by two other ruffians. They approached her bed. She rose to receive them.

"If you come from the prince," she said, "tell him I am well. If your intents are murderous, you are not sent by my son. The guilt of parricide is foreign to his heart."

Her words were checked by a blow on the head with a club. A sword-thrust followed, and she expired under a number of mortal wounds. Thus died the niece, the wife, and the mother of an emperor, and the daughter of the celebrated soldier Germanicus.

 Compiled From Sources In The Public Domain.

Smiles & Good Fortune,
Teresa
 ************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

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Sunday, May 6, 2012

Zenobia Empress of the Golden Chains


Zenobia: Empress of the Golden Chains



Zenobia was empress of the people of Palmyra; She tried to boss the army when she should have stayed at home. Aurelian, the soldier, led a sort of a hegira Of armies up to fight her—they came all the way from Rome.

Full soon he was pursuing them, with spears and daggers "shooing" them, At last he sent them to defeat and caught the doughty queen. He captured her regretfully, he said, but she said fretfully That she considered him a spiteful thing, and very, very "mean."

He led her back a captive with her hands in jeweled fetters, Though she cast on Aurelian a look of proud disdain; Her manacles were carved and chased and decked by jewel setters, And to securely hold her he had made a golden chain.

There is a lot of mystery connected with all history— Zenobia, they tell us, didn't want to go to jail, But, think of such a fate as that! Why, such a jeweled weight as that Was better than to pawn your clothes and be released on bail!

Zenobia was taken to the royal Roman palace And there the charming prisoner, we read, was quite the rage— Had she lived in this time of ours (we say this without malice), She might have made a lasting hit by going on the stage.

Aurelian was nice to her—he hinted more than twice to her That he was getting pretty tired of kinging it alone. You see, she might have captured him—already she enraptured him— And had that handcuff jewelry to wear upon the throne.

But, no! Zenobia was like 'most any other lady— They've been the same since mother Eve; they have the same way still: No matter if it's Princess May, or Susie, Sal or Sadie, No lady will consent to be convinced against her will.

At last they told her civilly, "You'll have to live in Tivoli" (Which may or may not be the way to speak that city's name). She answered very prettily: "I'll love to live in Italy"— And there she stayed until she was an old, forgotten dame.
Words by Wilbur D·Nesbit
Pictures by Ellsworth Young  
  
Compiled From Sources In The Public Domain.


Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915