Shadows In A Timeless Myth Presents - Diana - My Favorite Goddess

The Goddess Diana

Ques. Who was Diana?

Ans. She was the daughter of Jupiter and Latona, and the twin-sister of Apollo. This goddess had three names. On earth she was called Diana, and was honored as the goddess of woods and hunting; in heaven she was called Luna, and was identified with the moon, as her brother Apollo was with the sun. In hell, she was called Hec´ate, and as spirits were supposed to be subject to her, she was invoked under the latter name in all magical incantations.

Ques. What were the habits of Diana?

Ans. She shunned the society of men, and frequented the woods, attended by a train of virgins who had resolved, like her, never to marry.

Ques. Who were the attendants of Diana?

Ans. Sometimes the Ocean´ides or daughters of Ocean´us; sometimes the woodland nymphs. Diana often led a chorus of the Muses and Graces, and joined them in singing the praises of her mother Latona.

Ques. How is Diana represented?

Ans. As a very stately and beautiful woman, dressed in the garb of a huntress; she holds a bow in her hand, and a quiver of arrows is hung across her shoulders. Her feet are covered with buskins, and a bright silver crescent glitters on her forehead. Sometimes she is represented as seated in a silver chariot drawn by hounds.

Ques. Who was Chi´one?

Ans. She was a nymph beloved by Apollo. She spoke scornfully of the beauty of Diana, and the goddess, in revenge, pierced her tongue with an arrow.

Ques. Relate the story of Ni´obe.

Ans. She was the daughter of Tan´talus, and the wife of Amphi´on, king of Thebes. She was enriched with all the gifts of nature and fortune, and being made insolent by prosperity, she insulted Latona, and refused to offer incense at her shrine. Ni´obe had seven beautiful sons, and as many lovely daughters, and had boasted of their number as rendering her superior to Latona. The indignant goddess called upon Apollo and Diana to revenge the insult offered to their mother, and humble the haughty Ni´obe. This they effected by slaying, in one day, all the children of the unhappy queen. Her sons expired by the arrows of Apollo, and her daughters by those of Diana. Amphi´on killed himself in despair, and the wretched Ni´obe, widowed and childless, wept without ceasing until the pitying gods changed her into stone. This story has furnished the subject of a very beautiful group of statuary, in which Ni´obe is represented as vainly endeavoring to shelter, beneath her mantle, the youngest and last of her children.

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Ques. Where was the most celebrated temple of Diana?

Ans. At Ephesus in Asia Minor; it was so beautiful that it was counted among the seven wonders of the world. Two hundred and twenty years were spent in the building, although an incredible number of workmen were employed. The entire length of the temple was 425 feet, and the breadth 220; the whole was supported by 127 superb columns, each the gift of a king. The statue of the goddess was of ebony, and the most skillful painters and sculptors were employed in the decorations of the edifice.

A man named Erostratus, who was anxious to make himself famous, by whatever means, set fire to this magnificent building. This event took place on the very day on which Alexander the Great was born.

The temple was but partially destroyed, and was soon afterwards restored to its former splendor. The inhabitants of Ephesus seem to have been particularly attached to the worship of Diana. We read in the Acts of the Apostles that when they began to make converts in that city, the people were very indignant; in their zeal for their goddess they ran about the streets for the space of about two hours, crying, “Great is Diana of the Ephesians!”

This temple was despoiled by Nero, who removed many costly offerings and images, together with a large quantity of silver and gold. It was afterwards plundered by the Goths in the reign of Gallienus; and the materials of the building have been since used in the construction of other edifices. The great dome of Santa Sophia, in Constantinople, rests upon pillars of green jasper which were removed from the temple of Diana by order of Justinian.

Two pillars of the great church of Pisa were also taken from this temple, which has been so completely destroyed that the exact site is not known.

 Compiled From Sources In The Public Domain.

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Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - The Mythological Nymphs

 NYMPHS.

Ques. Who were the Nymphs?

Ans. They were graceful young women who attended on Diana and the greater goddesses. Some, also, had charge of certain fountains and rivers, and were called Na´iades; the nymphs of Ocean were Nere´ides and Ocean´ides. The Ore´ades were mountain nymphs, and others presided over groves and even single trees.

Ques. What were the woodland nymphs called?

Ans. Those who watched over the forests, and always lived among the trees, were called Dry´ades, from a Greek word which means an oak; the Hamadry´ades were so called because they were attached, each to some particular oak. The Hamadryad was born with the tree, flourished and died with it. This belief lingered for a long time amid the German forests, as also the superstition about water spirits.

Ques. What was the story of Arethusa?

Ans. This nymph was the daughter of Ocean´us, and an attendant of Diana. She was admired by the god of the river Alphe´us, but refused to listen to his addresses. As she fled from his presence, he pursued. The terrified nymph had sped through all Arcadia; the shades of evening were gathering, and Alphe´us pressed close upon her fainting steps. In this extremity, Arethusa prayed to Diana for relief, and was immediately dissolved into a fountain. Alphe´us resumed his watery form, and sought to mingle his current with hers, but Diana opened for her a passage under the sea, and she rose in the island of Ortygia, in Sicily, still followed by the stream of the Alphe´us. In proof of this fable, and of the Grecian origin of this famous fount, it was asserted that a cup which fell into the river Alphe´us in Greece, rose in the fountain of Arethusa, and that its clear waters were reddened with the blood of the victims slain at the Olympic games.

Ques. Who was Echo?

Ans. Echo was a nymph, the daughter of Air and Tellus; she was one of Juno’s attendants, but offended that goddess by her talkativeness. She was so far deprived of speech, that she could only repeat the last words of every sentence which she heard. Echo loved the youth Narcissus, and seeing that he despised her affection, she pined away till nothing remained of her but her voice and bones. The latter were changed into stones, but the voice is still heard among rocks and in solitary places, repeating always the last words that are spoken.

Ques. What was the fate of Narcissus?

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Ans. One legend is that he saw his image reflected in a fountain, and, not perceiving that it was but his own shadow, gazed at it, lost in admiration, until he was changed into the flower that bears his name. According to another version, Narcissus had a twin-sister who resembled him closely in form and feature, and was his constant companion. This sister died young, and Narcissus, deeply lamenting her death, used to go to a neighboring fountain, and try to recall the image of his sister by gazing at his own reflection in the waters.

Ques. Were there many rural divinities?

Ans. Yes, a great number; but only a few were well known. Among those we may mention Pomona, the goddess of orchards, and Flora, the goddess of flowers. Pales was the goddess of shepherds and pastures. The Romans celebrated feasts, called Pallia, in her honor. They offered milk, and cakes of millet, that she might drive away the wolves, and prevent diseases among the cattle.


Compiled From Sources In The Public Domain.

Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - Fates and Furies

FATES—FURIES.

Q. Who were the Fates?

A. They were three sisters, the daughters of Chaos, who were appointed to watch over the thread of human life. Their names were, Clotho, Lach´esis and At´ropos; Clotho drew the thread between her fingers; Lach´esis turned the wheel, and, at the appointed moment, At´ropos cut the thread with her scissors.

Q. Who were the Furies?

Ans. They were three sisters, Alec´to, Tisi´phone, and Megæ´ra. They are called by the poets the Daughters of Night; their office was to torment the wicked during life and after death.

Q. How were they represented?

A. As hideous women with terrible countenances; they had twining serpents instead of hair, and carried snaky whips and lighted torches in their hands. They were often called by the Greeks Eumen´ides.

Q. Of what were the Furies an emblem?

A. Of the evil passions of men, and the remorse which torments the wicked. When the ancients said of a man, that the Furies had taken up their abode with him, they meant that the remembrance of his crimes did not leave him any repose.

 Compiled From Sources In The Public Domain.


Just for note: The Fates play a role in Shadows In A Timeless Myth, just not in the way you might imagine after reading the above.

Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - Sibyls and Augurs Mythological Fortunetelling

 SIBYLS—AUGURS.

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Ques. Who were the Sibyls?


Ans. The Sibyllæ, or Sibyls, were certain females, supposed to be inspired by Heaven, who flourished at different times and in different parts of the world. According to the historian Varro, they were ten in number. The most celebrated was the Cumæan Sibyl, of whom the poets give the following account. Apollo sought the love of the young prophetess, and promised to give her whatever she should demand. The sibyl desired that she might live as many years as she had grains of sand in her hand; but as she forgot to ask for health and youthful bloom, this long life proved rather a burden than a benefit. She had rejected the suit of Apollo, and the god refused, therefore, to withdraw his gift or mitigate the severity of her lot. This sibyl had already lived seven hundred years when Æne´as came to Italy, and six centuries still remained of the time granted by Apollo. She accompanied Æne´as on his visit to the lower world. 

According to a well-known Roman legend, one of the sibyls came to the palace of the second Tarquin with nine volumes, which she offered to sell at a very high price. The king declined the offer; the sibyl immediately disappeared and burned three of the volumes. Returning soon after, she asked the same price for the remaining six books; and when Tarquin again refused to buy them, she burned three more, and still persisted in demanding the same sum of money for those that were left. This extraordinary conduct astonished the monarch, and with the advice of the Augurs he bought the books, upon which the sibyl disappeared and was never seen after. These books were preserved with great care, and were called the Sibylline Verses. A college of priests was appointed to take charge of them, and they were consulted with the greatest solemnity, whenever the state seemed to be in danger. When the Capitol was burned in the troubles raised by Sylla, the Sibylline Verses are said by some to have perished in the conflagration. It is believed, however, on good authority, that they were in existence as late as the fourth century, when they were destroyed by command of the Emperor Honorius. Various collections were afterwards made, which are generally admitted to be forgeries.


Different opinions have prevailed with regard to the prophecies of the sibyls, some of which, it is said, pointed clearly to the advent of a Redeemer, the time of his coming, and the submission of Rome to the new dispensation. It has been thought that these passages were invented by later Christian writers, but Bishop Horsley, a learned English divine, thinks it more reasonable to suppose that the sibylline books contained the records of prophecies which were granted in primitive times, to nations outside of the patriarchal and Jewish races. He cites in favor of this opinion, the fact that St. Justin, in his apology addressed to the Emperor Marcus Antoninus, appeals confidently to the sibylline prophecies, and at that time, about the middle of the second century, it was not possible that the Christians should have added anything to them. There are also passages in the fourth Eclogue of Virgil which prove that the expectation of a Saviour, and the belief that the time of his advent was approaching, existed even among the pagans.

Divination by Omens—The Augurs.

 

Ques. Who were the Augurs? 


Ans. They were priests whose office it was to observe and interpret omens. This science was derived from the ancient Etrurians. There were five principal classes of omens from which the Augurs were supposed to foretell future events, the good or ill success of an undertaking, etc. The first were drawn from the phenomena of nature, such as thunder, lightning, comets, etc. The second kind of omen was obtained by observing the cries and the flight of birds. In the third class we may place the appetite of the sacred chickens; when they did not eat, the omen was so bad that it was considered unlucky to give battle, or undertake anything of importance. It happened once that a Roman commander, (Claudius Pulcher,) when about to engage the fleet of the enemy, was warned by the Augurs that the sacred chickens would not eat. He replied, with very natural contempt, that if they would not eat, they might drink, and had them thrown into the sea. It is believed that the terrible defeat the Romans suffered on that day was owing, in great part, to the discouragement of the sailors, who supposed that their commander had forfeited the favor of the gods by this act of sacrilege.


Omens were drawn from the appearance of the entrails of animals offered in sacrifice, also from the meeting with quadrupeds in any unaccustomed place.


The fifth class of omens was taken from different casualties, such as spilling salt, stumbling on the threshold, sneezing, meeting a hare, wolf, fox, etc. Some of these last superstitions prevail, more or less, to the present day.

 Compiled From Sources In The Public Domain.

Smiles & Good Fortune,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915


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Shadows In A Timeless Myth Presents - The Muses of Arts and Science

THE MUSES.

Ques. Who were the Muses?

Ans. They were the daughters of Jupiter and Mnemo´syne, and were supposed to preside over the liberal arts and sciences.

Ques. How many Muses were there?

Ans. They were nine in number, and each presided over some particular department of literature, art or science. Their names were:

Calli´ope, who was the Muse of epic poetry, she holds in her hand a roll of parchment, or a trumpet.

Clio presided over history. She holds a half opened scroll.

Melpo´mene was the Muse of tragedy. She leans on a club, and holds a tragic mask.

Euter´pe was the patroness of music. She holds two flutes.

Er´ato inspired those who wrote of love. She plays on a nine-stringed lyre.

Terpsich´ore presided over choral dance and song. She appears dancing, and holds a seven-stringed lyre.

Ura´nia, the Muse of astronomy, holds a globe, and traces mathematical figures with a wand.

Thalia, the Muse of comedy, holds in one hand a comic mask, in the other a crooked staff.

Polyhym´nia presided over eloquence. She holds her fore-finger to her lips, or carries a scroll.

The Muses are sometimes represented as crowned with palms, and seated in the shade of an arbor, playing upon different instruments; or again, as dancing in a circle with joined hands, while Apollo is seated in their midst.

Ques. How have some writers accounted for the number of Muses?

Ans. They say that in ancient times there were but three Muses. The citizens of Sicyon employed three sculptors to execute statues of these goddesses, promising to choose from among the nine images, those which they should consider the most beautiful. When the statues were finished, they were found to be so skillfully wrought, that it was impossible to make a choice. They were all placed in the temple, and the poet Hesiod afterwards assigned them names and attributes.

Ques. What punishment did the Muses inflict on the nine daughters of Pierus, king of Æmathia?

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Ans. These maidens challenged the Muses to a contest in music; they were defeated and transformed into magpies by the indignant goddesses. Tham´yris, a musician of Thrace, was struck blind for the same offense.

Compiled From Sources In The Public Domain.

Smiles & Good Reading,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent.
W. Somerset Maugham (1874-1965) Of Human Bondage, 1915


Download your complimentary Shadows In A Timeless Myth short story and musical jigsaw puzzle of the cover of Shadows In A Timeless Myth.

Shadows In A Timeless Myth Presents - The Silver Age of Mythology

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The Silver Age was far inferior to that of gold; but virtue still dwelt on earth, and the Immortals had not altogether departed from the abodes of men. Jupiter then divided the year into seasons, shortened the winter days, and let loose the northern blasts, so that men were obliged to build dwellings, and cultivate the ungrateful soil.

Their first habitations were caves and grottoes, leafy coverts of the forest, or huts rudely constructed of the trunks of trees and interwoven boughs.

The Brazen Age came next; men grew fierce and warlike, but were not as yet altogether impious.
The Iron Age gave birth to all the calamities that afflict mankind. Avarice and violence reigned supreme; men were not satisfied to till the earth, but dug into its hidden mines, and drew thence gold and iron, potent instruments of ill to man.

The same poet says:

“Then land-marks limited to each his right;  

For all before was common as the light.  

Nor was the ground alone required to bear  

Her annual income to the crooked share,  

But greedy mortals, rummaging her store,  

Digged from her entrails first the precious ore 

(Which next to hell the prudent gods had laid,) 

And that alluring ill to sight displayed.  

Thus cursed steel, and more accursed gold,  

Gave mischief birth, and made that mischief bold: 

And double death did wretched man invade,  

By steel assaulted, and by gold betrayed.”  

Dryden’s Ovid.

Compiled From Sources In The Public Domain.

Smiles & Good Reading,
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Download your complimentary Shadows In A Timeless Myth short story and musical jigsaw puzzle of the cover of Shadows In A Timeless Myth.

Shadows In A Timeless Myth Presents - The Golden Age of Mythology

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Ques. What is Mythology?

Ans. This word is derived from the Greek, Mythos, a myth or fable, and logos, a discourse. A myth is, properly speaking, an allegory or fable invented to convey some important moral or religious truth, or illustrate some operation of nature. Mythology includes also the historical myths, or the narratives of gods, demigods, and heroes, which were current among the heathen in ancient times.

Ques. Why is it necessary to become acquainted with these fables?

Ans. Because ancient literature and art cannot be fully understood or appreciated without some knowledge of Mythology. It was mingled with every theme of the classic poet, and inspired the highest skill of the painter and sculptor.

These subjects keep their place to some extent in modern art, and mythological allusions are so frequent in our literature that an acquaintance with classic fable is considered a necessary part of a liberal education.

Ques. Did all the heathen nations worship the same deities?

Ans. The mythology of different nations varied as to the names and attributes of their divinities. There are, nevertheless, so many points of resemblance, that it is believed by many that the principal mythical systems had one common origin. To trace these analogies, and the developments which gave rise to so great a diversity, is the province of comparative mythology.

Ques. In what important point do all these systems agree?

Ans. In the rite of sacrifice. We meet everywhere the same offerings: flowers, first fruits, libations of milk, honey, and wine; also sacrifices of animals, which were either partaken of by the votaries or consumed as holocausts upon the altar.

This mode of worship varied but little in ceremonial, and the sacrifices of the different heathen nations resembled, in their exterior form, those offered to the true God by the ancient patriarchs. The idea of propitiating the deity in such a manner seems to have been universal both in the old and the new world, and we are forced to believe that it was drawn from a common fount of primeval tradition.

Ques. How did the belief in the heathen deities originate?

Ans. When the early traditions of the human race became corrupt, the sublime idea of one God, self-existent and eternal, was lost or obscured. We find it, though vaguely perhaps, in the character and attributes of certain divinities, as the Zeus (Jupiter) of the Greek, and the Alfâdur of Scandinavian mythology. There are passages in the early Greek poets which show clearly a belief in the unity of God. In the verses attributed to the mythic poet Orpheus, and generally known as Orphic Remains, we find the following:

“One self-existent lives; created things Arise from him; and He is all in all. No mortal sight may see Him, yet Himself Sees all that live; 

* * * * * * 

For He alone All heavenly is, and all terrestrial things Are wrought by Him. First, midst and last he holds With His omniscient grasp.”

 

The same idea is expressed in the verses of the poet Aratus, quoted by St. Paul in his address to the Athenians on the Hill of Mars.

Instead of ministering spirits obeying the will  of the Supreme Being, and communicating that will to man, there arose a number of inferior deities, each exercising some peculiar and partial sovereignty. The god whom the warrior invoked in battle was powerless to bless the field he cultivated in time of peace; the power of Jupiter was worshipped in the rolling thunder; but when the earth trembled or fiery torrents burst from the mountain top, the wrath of Pluto must be appeased, and sacrifices were offered to the infernal powers. The strife and turbulence of nature were attributed to the gods, who became in some manner identified with the elements they were supposed to govern.

The honors paid to the memory of departed heroes assumed, in the course of time, the character of religious worship. Hence arose a class of demigods, whose real achievements, transmitted by popular tradition and embellished by the poets, became altogether legendary and mythical.

Ques. Were the Greek and Roman mythologies the same?

Ans. They were, to a great extent. The ancient Latins had, undoubtedly, their own gods and their peculiar superstitions, but they do not appear to have had any regular mythology. When the Romans received the arts and sciences from the Greeks, they adopted, also, their divinities and their entire system of religion.




They shared a tradition, which seems to have been universal, of a time of primeval innocence, when man dwelt in a peaceful world, ignorant alike of sorrow and of sin. This was the Golden Age. Avarice and discord were unknown; men had not learned to slay animals for food, nor had the earth been disturbed by the plough. Neither the labors of the husbandman, nor the merchant’s traffic disturbed the joyous leisure of that happy time; no ships ploughed the seas, and the glittering steel rested harmless in the mine. Ovid thus describes the days of innocence:

“The Golden Age was first, when man, yet new,  

No rule but uncorrupted reason knew,  

And, with a native bent did good pursue.  

Unforced by punishment, unawed by fear, 

His words were simple, and his soul sincere; 

Needless was written law where none oppressed;  

The law of man was written in his breast:  

No suppliant crowds before the judge appeared,  

No court erected yet, nor cause was heard, 

But all was safe; for conscience was their guard.

  *   *   *   *   *   *   * 

No walls were yet, nor fence, nor moat, nor mound,  

Nor drum was heard, nor trumpet’s angry sound,  

Nor swords were forged; but, void of care and crime,  

The soft creation slept away their time.”

What does this have to do with my new historical fantasy Shadows In A Timeless Myth?  The myths, legends, fairytales, history and folklore that I've loved from childhood inspired the creation of my two main characters and the inspiration for their adventures. 

Compiled From Sources In The Public Domain.

Smiles & Good Reading
Teresa
************************************
It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

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 Meanwhile, If you enjoy the Regency Romance era there are several Regency Romance Era Gifts available, courtesy of A Very Merry Chase including free Regency Romance Era virtual coffee table books and eight musical jigsaw puzzles featuring paintings from the Regency Era. 

Facebook Regency Romance Era Complimentary Musical Jigsaw Puzzle Gallery

LadySilk's Regency Romance Revival With Complimentary Ebooks

A Very Merry Chase As An I Book Buzz Book Club Finalist For February 2012 

Thanks for stopping by, and for taking the time to vote.   I sincerely appreciate your support.

Smiles & Good Fortune, 
Teresa 
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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915