Shadows In A Timeless Myth Presents Virtues and Vices Worshipped by the Ancients

Ques. What Virtues were particularly honored as divinities?

Ans. The ancients not only worshipped the different Virtues, but the abstract idea of virtue itself was personified as a goddess. The Romans dedicated two temples, one to this divinity, and another, adjoining, to Honor. As the temple of Honor could only be reached by passing through that dedicated to Virtue, the votaries were reminded that it was by walking in her paths, that true honor was to be attained.

Ques. What were the emblems of Truth?

Ans. She was generally represented as a beautiful and modest virgin, with garments as white as snow. She was the daughter of Time, or Saturn, because Time always brings truth to light.
Fides, or Fidelity, had a temple near the Capitol, which was said to have been founded by Numa Pompilius. The symbols of this goddess were, a white dog, two hands joined, or sometimes two maidens with joined hands.

Ques. What were the emblems of Peace?

 Ans. Pax, or Peace, was represented as a matron holding ears of corn, and crowned with olives and laurel. Her particular symbol was a caduceus, a white staff anciently borne by ambassadors when sent to treat of peace. A magnificent temple was dedicated to this goddess in the Roman Forum.
Justice was worshipped by the Egyptians, Greeks and Romans. Her emblems have been described in the article on the goddess Astræa.

Hope had a temple at Rome in the herb market. It was destroyed by lightning.

Misericordia, or Mercy, had an altar at Athens This was a public sanctuary for the unfortunate, and it was unlawful to take any one from it by force. This altar is said to have been erected by the kindred of Hercules, after the death of that hero.

Pudicitia, or Modesty, had two temples, much frequented by the Roman matrons. The second of these was founded under peculiar circumstances.

Virginia, the daughter of Aulus, a patrician of high rank, married into a plebeian family. The noble ladies of Rome were so indignant at this alliance, that they would not permit her to enter the temple of Pudicitia, nor to offer sacrifice with them. She desired to repair this public affront by some memorable action. For this purpose, she built, in the Via Longa, a temple similar to that from which she had been expelled, and dedicated it likewise to Pudicitia. Virginia then assembled the plebeian matrons, and exhorted them to honor this Virtue in such a manner, that however the patrician ladies should surpass them in power or rank, they might still excel in modest behavior and purity of life. The two temples were from that time distinguished as Pudicitia Patricia, and Pudicitia Plebeia.

Ques. Was Fortune honored as a goddess?

Ans. Yes, the ancients worshipped under this name, a certain unseen power which was supposed to exercise a supreme dominion over human affairs. Fortune had many splendid temples in Italy. Servius Tullius dedicated two at Rome; one to Bona Fortuna, the other to Fors Fortuna. This capricious goddess was sometimes represented with her eyes bandaged, her feet winged, and her right hand resting on a wheel. In the temple of Fortune at Thebes, the goddess held Wealth, represented as an infant, in her arms.

The goddess Salus, or Health, was much honored by the Romans. In ancient times, certain days in the year were set apart for her worship. Her emblems were a bowl and a serpent.

Liberty was honored as a divinity. Her emblem was the peculiar cap with which we are familiar from the representations on our own coins.

Ques. Were not the Vices also honored by the ancients?

Ans. It is certain that both the Greeks and Romans erected temples and altars to certain vices, but it does not appear that their intention was to do them honor. In some instances, they strove to propitiate the powers of evil, that they might abstain from doing them harm. When they built a temple at Rome to Febris, or Fever, they undoubtedly wished to appease the demon or malignant deity who was supposed to send this calamity. The same superstition has been remarked among the modern Hindoos, who are said to have dedicated temples to thunder and lightning, earthquake, pestilence, etc. The Vices were always represented in such a manner as to excite abhorrence. We have an instance of this in the altar erected to Calumny at Athens.

Apelles drew an allegorical picture, in which the odious features of this Vice were strikingly portrayed. A man sits in a listening attitude, beckoning Calumny to approach. Two counsellors, Ignorance and Suspicion, stand near him. Calumny is beautiful in form and feature, but has a malignant countenance, and flashing eyes. Envy goes before, while Fraud and Conspiracy accompany her on either side. Repentance follows with woful mien and torn garments. She looks behind her, as if calling upon Truth, who is seen advancing slowly in the distance.

Discord, Fraud, etc., were represented with appropriate symbols.

 Compiled From Sources In The Public Domain.

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

PENATES or LARES Roman Household Deities and Gods

PENATES—LARES.

Ques. What were the Pena´tes?

Ans. This name was given to a certain class of household deities, which were worshipped by the Romans in the penetralia, or innermost part of their dwellings. The greater Pena´tes governed kingdoms and provinces; others presided over cities; and the lesser Pena´tes watched over particular houses and families.

Ques. What were the Lares?

Ans. They were, according to some, the children of Mercury and the nymph Lara; they were domestic gods, and presided over houses, streets and roads. They warded off danger from without, while the Pena´tes watched over the interior of the dwelling. The spirits of ancestors sometimes watched as Lares, over the fortunes of families. This idea of the spirits of the deceased watching over their descendants, made the Romans wish to bury the dead within, or very near their dwellings. This custom was condemned by the laws of the Twelve Tables. Besides the spirit which watched over the family, each individual was supposed to have his Lar, or familiar genius, who watched over him from his birth. In early times, children were sacrificed to the goddess Mania, who was supposed by some to be the mother of the Lares. After the expulsion of the Tarquins, Junius Brutus abolished this barbarous rite, and substituted little balls of wool, and heads of garlic and poppy, in place of the human heads which had been formerly offered. The ordinary altar of the Lares was the domestic hearth; hogs, sheep and steers were among the sacrifices offered to these divinities, but the first fruits of the season were always laid upon the hearth. No family repast was properly begun, unless some portion of the viands had been first cast into the fire; in the more solemn form of marriage, the bride always threw a piece of money on the hearth, to the Lares of her family, and another on the cross roads, that they might grant her free passage to her husband’s house. The Roman boy, on attaining the age of fifteen, put off his childish dress, and consecrated the golden bulla, which he had worn around his neck from infancy, to the domestic Lares.

The soldier whose term of service had expired dedicated his arms to these powerful genii; while captives, and slaves restored to freedom, hung up their fetters, in token of gratitude, by the altar of the Lares.

Ques. How were the Lares represented?

Ans. Variously; sometimes as children, sometimes as young warriors, but always accompanied by a dog.


 Compiled From Sources In The Public Domain.

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Shadows In A Timeless Myth Presents Six Sentence Sunday Excerpt One

 Shadows In A Timeless Myth

Six Sentence Sunday Excerpt 

And so it was until there came into being the fifth and final race—the Mortali, different from all who came before. Magickless and plain, naked and frightened, forced to survive on nothing more than wits and verve—yet endlessly curious, constantly seeking understanding and the truth of that nebulous something that instinct told them should have been theirs by right—something they alone had been denied and for whose lack, they would evermore ache...something that by its very absence made them different from all that came before.

         And it was this nebulous something whose very absence repulsed and yet drew the four elder races to the fifth like moths to an irresistible flame—for although the Mortali neither understood nor treasured its value, they alone had been granted the most precious gift of all...the ability to lay down their burdens, free their captive memories and embrace the finality of death.

         It is on this earth, and in this reality that two elders, both female—adversaries by birth, friends by choice—wander through time accompanied by one Mortali born...an ordinary man burdened with an extraordinary curse, and the savage beast who shares his soul.

 

Shadows In A Timeless Myth Excerpt

Teresa Thomas Bohannon

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - Ceres - Demeter - Mythological Goddesses

CERES—DEMETER

Ques. Who was Ceres?

Ans. She was the daughter of Saturn and Ops, and was worshipped as the goddess of fruits and corn. It is supposed that she first invented and taught the art of tilling the earth, and sowing wheat and other grains, so that men ate wholesome bread, where before they had lived on roots and acorns.

Ques. How is Ceres represented?

Ans. As a beautiful and majestic woman, with golden hair, and crowned with ears of wheat; in her right hand she holds poppies and ears of corn, and in her left, a flaming torch.

Ques. Explain these emblems.

Ans. The hair of Ceres is golden, to represent the color of ripe corn; she holds a lighted torch, because when her daughter Proser´pine was stolen by Pluto, Ceres kindled a torch from the flames of Mount Etna, to light her on her search throughout the world. She holds a poppy, because when she was so grieved that she could neither rest nor sleep, Jupiter gave her a poppy to eat.

Ques. Relate the story of Proser´pine (Perse´phone).

Ans. None of the goddesses were willing to marry Pluto, or share his gloomy kingdom. He determined, nevertheless, to obtain a wife, even if he had to do so by violence. Proser´pine, the daughter of Jupiter and Ceres, was gathering daffodils with her companions in the plains of Enna, when Pluto suddenly appeared among them in a chariot drawn by black horses. As the maidens fled in terror, he seized Proser´pine, and striking the waters of the fountain Cy´ane with his trident, he opened a passage, through which he descended with his prize. Ceres, ignorant of what had occurred, wandered through the world in search of her daughter. At length, arriving at the fountain of Cy´ane, she perceived the girdle of Proser´pine still floating on its waters; and the nymph Arethusa informed her of what had taken place. Ceres repaired immediately to Olympus, where she made her complaint to Jupiter, and demanded that Pluto should restore her daughter. Jupiter promised to grant her request, in case Proser´pine should not have tasted food in the infernal regions. Ceres descended thither, and Proser´pine prepared joyfully to accompany her mother, when Ascal´aphus reported that he had seen her eat some seeds of pomegranate. The hopes of Ceres were thus destroyed, but Proser´pine was so  indignant at the treachery of Ascal´aphus, that she changed him immediately into an owl. Jupiter endeavored to appease the resentment of Ceres by permitting Proser´pine to divide the year, spending six months with her mother on earth, the other six with Pluto in the infernal regions.

Ques. What were the most famous solemnities instituted in honor of Ceres?

Ans. The Eleusian or Eleusinian Mysteries. They were named from Eleusis, a town in Greece where they were celebrated.

Ques. What rites were practiced during these mysteries?

Ans. We cannot tell with any certainty. The penalty of death was decreed against any one who should betray the secret, or even witness the ceremonies without having been regularly initiated. Disclosures were made, however, which seem to prove that the person to be initiated was first introduced into a dark subterranean cave, where he was terrified with the most fearful sights and sounds. After this, if his courage did not fail, he was suddenly introduced into a lovely garden, and the ceremonies concluded with feasting and dancing.

Ques. Who were admitted to these rites?

Ans. Athenians only; but Hercules, to whom no one dared refuse anything, was initiated, and after him, other distinguished foreigners were admitted to what were called the Lesser Mysteries. The Athenians were eager to be admitted to these rites, because they believed that the souls of those who had not been initiated were left to wallow in mud and filth in the lower regions.

Ques. What do the early Christian writers say of these mysteries?

Ans. They speak of them as being almost as immoral as the festivals held in honor of Bacchus.

Ques. Who is said to have instituted them?


Ans. Triptol´emus, the foster-child of Ceres.
Ques. Relate the story of Triptol´emus.

Ans. When Ceres was seeking Proser´pine by sea and land, she was kindly entertained by Celeus, king of Eleusis, in Attica. She rewarded his hospitality by taking care of his young son, whom she nourished during the day with celestial food; but in the night, she covered him with fire. Under this extraordinary treatment, the infant, in a few days, became a beautiful young man. His mother, Meganira, wondered at this, and resolved to discover the cause. She watched Ceres at night, and when she saw her covering Triptol´emus with living coals, she cried out in terror, and rushed into the room to save him. Ceres punished her curiosity with death, but she adopted Triptol´emus, and sent him through the world to teach mankind the use of corn. He executed the commands of Ceres, and wherever he went, instructed men in sowing, reaping, and other arts of husbandry. Triptol´emus is usually represented as a young man, seated in a splendid chariot drawn by flying serpents.

Ques. What sacrifices were offered to Ceres?

Ans. Young heifers, swine and ears of corn, wine, milk and honey were used in the libations.

Ques. What were the Ambarvalia?

Ans. They were feasts kept in the beginning of harvest, preparatory to reaping. The animal to be offered in sacrifice, was led around the fields, the husbandmen and country rustics following with shouts and songs. Virgil says of these festivities:

Let ev’ry swain adore her power divine,  

And milk and honey mix with sparkling wine; 

Let all the choir of clowns attend this show, 

In long procession, shouting as they go; 

Invoking her to bless their yearly stores, 

Inviting plenty to their crowded floors.  

Thus in the spring, and thus in summer’s heat,  

Before the sickles touch the rip’ning wheat, 

On Ceres call; and let the lab’ring hind  

With oaken wreaths his hollow temples bind; 

On Ceres let him call, and Ceres praise,  

With uncouth dances, and with country-lays.  

Georg. I.

 Compiled From Sources In The Public Domain.

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

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Shadows In A Timeless Myth Presents The Rhyme Of Militant Women

Suffragettes and Militants

Hippolta, Chingtse, Hatshepset, Penthesilea,

Maria Teresa and Joan,

Agustina and Boadicea

And other militant girls of times we've known--

It would take a brave man and a dull one

To say to these ladies:

"Of course We adore you while you are meek, 

Timid, clinging, silent and weak,

But a woman can never use force...

And needs to watch how she speaks!"

                                 Adapted from a Suffragette Poem For Her Son

Compiled From Sources In The Public Domain.

My historical fantasy Shadows In A Timeless Myth is filled with vignettes featuring women who dared to fight. In fact, if the book has one overriding theme, it is stories of women dealing with adversity and challenges.

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - Cybele - Mythological Goddesses

 CYBELE.

Ques. Who was Cyb´ele?

Ans. This goddess, sometimes called by the Greeks, Rhea, and by the Latins, Ops, is considered to be a personification of the earth. She is goddess, not of cities only, but of all things which the earth contains. She was the daughter of Cœlum, and the wife of Saturn.

Ques. How was Cyb´ele represented?

Ans. Generally as riding in a chariot, drawn by lions. She wears a turreted crown, and is clothed in a many-colored mantle, on which are represented the figures of various animals. In her right hand she holds a sceptre, and in her left, a key. This last emblem seems to signify that the earth locks up her treasures in the winter season. Cyb´ele is always represented with the dignified and matronly air which distinguishes Juno and Ceres.

Ques. How was she worshipped?

Ans. Sacrifices were first offered to this goddess in Phrygia and Lydia. Her temples were generally  built on the summits of mountains; that on Mount Dindymus near Pessi´nus, in Galatia, was particularly celebrated. Her statue in this temple was simply a large aerolite which had fallen in the vicinity, and was regarded by the people as the heaven-sent image of their great goddess. At the close of the second Punic war, the Romans, directed, it is said, by the Sibylline books, sent an embassy to Attalus, king of Pergamus, requesting that he would permit the so-called image to be removed to Rome. The monarch consented, and the sacred stone was carried in triumph to the Italian capital. There it was placed in a stately temple built for the purpose, and a solemn festival, called Megalesia, was celebrated annually, in honor of Cyb´ele. During these solemnities, priests called Galli and Corybantes ran about like madmen, with cries and howlings, making, at the same time, a terrific noise with the clashing of cymbals, the sound of pipes and other instruments. In their frenzy, they cut their flesh with knives, and performed many other extravagances, but the people regarded them with reverence, as they were believed, while in this state, to possess the gift of prophecy.

The divinity worshipped by the Roman women under the name of Bona Dea, or Good Goddess, is believed to be the same as Cyb´ele.

Ancient writers relate an extraordinary incident connected with the arrival of the image of Cyb´ele in Rome. The ship which bore the sacred stone was stranded on a shoal in the Tiber. Claudia, a Vestal Virgin who was suspected of having violated her vow, attached her girdle to the prow, and drew the ship safely into port. Her innocence was established by this prodigy.

 Compiled From Sources In The Public Domain.

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - Vesta - Hestia - Mythological Goddesses

 VESTA—HESTIA

Ques. Who was Vesta?

Ans. She was the daughter of Saturn and Ops or Rhea, and was, therefore, the sister of Jupiter. She was considered the guardian of homes and firesides, and was a household divinity. Statues of Vesta were placed by the Romans at the entrance of their houses; hence the word vestibule, which we still use.

Ques. How is Vesta usually represented?

Ans. As seated on the ground, and leaning upon a drum, while various domestic animals are grouped about her.

Ques. What was the character of this goddess?

Ans. She was esteemed very holy, and was the patroness of household virtues. When Jupiter asked her to choose whatever gift she would, Vesta desired that she might remain always a virgin, and receive the first oblations in all sacrifices. Fire was the emblem of this goddess, and in her temple, at Rome, a sacred fire was suspended in the air, and watched by the Vestal Virgins. If this fire chanced to be extinguished, all public and private business was suspended until the accident had been expiated.

Ques. What laws existed with regard to the Vestal Virgins?

Ans. The penalties for neglect of their duties were severe. If the sacred fire was extinguished through their negligence, they were sometimes cruelly punished, and if any Virgin infringed the rule which forbade her to marry, she was buried alive; being shut up in a vault underground, with a lamp, and a little bread, wine, water and oil. The sacred fire of Vesta was watched by these priestesses for nearly eleven centuries. We are told that during this period, twenty Vestals were condemned to death. Of these, seven were permitted to take their own lives, thirteen suffered the terrible punishment we have described. The last execution of this kind took place in the reign of the emperor Domitian.

Ques. What were the privileges of the Vestal Virgins?

Ans. In recompense for these severe laws, the Vestals were treated with extraordinary respect. They had the most honorable seats at games and festivals, and even the consuls and magistrates gave them precedence; their testimony was taken in trials without any form of oath, and if they happened to meet a criminal going to execution, he was immediately pardoned. Public documents of great importance were generally entrusted to their care.

A striking instance of the respect felt for these Virgins, is related by a Roman historian. Appius Claudius Audax, a consul who had rendered himself obnoxious to the people, was attacked in the midst of a triumphal procession by the plebeian tribunes, who endeavored to pull him from his chariot. His daughter, who was a Vestal Virgin, ascended the triumphal car, and took her place by her father’s side. The tumult immediately subsided, and the procession proceeded quietly to the capital.

Ques. How many Vestal Virgins were there?

Ans. The number has been variously stated. Some authors mention six, others seven, as the number actually in office. They were chosen between the ages of six and ten; for ten years they were employed in learning their duty; they remained in office for ten, and ten other years were employed in instructing the novices. If there were seven Vestals always in office, the entire number must have been twenty-one. The thirty years being ended, the Vestals returned to their families. The law then permitted them to marry, but it was considered discreditable to do so.

 Compiled From Sources In The Public Domain.


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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - Aurora - Eos - Mythological Goddesses

AURORA—EOS.

Ques. Who was Aurora?

Ans. She was the goddess of the morning and sister of the sun and moon. She is represented as seated in a golden chariot drawn by milk-white horses; her countenance is brilliant, and her fingers are red like roses.

Ques. What did this represent?

Ans. The beauty of the morning heavens.

Ques. Relate the story of Ceph´alus and Procris.

Ans. Ceph´alus, a beautiful youth, was beloved by Aurora, who carried him with her to heaven; but he regarded the goddess with indifference, and insisted on returning to his young wife Procris. Aurora allowed him to depart, but prevailed on him to visit his house in disguise, that he might judge of the constancy of his bride. Ceph´alus found his wife lamenting his absence and refusing all consolation, but when she discovered her husband in the supposed stranger, she was so indignant at his suspicion that she fled from him and joined the attendants of Diana. She was afterwards reconciled to Ceph´alus, and gave him two presents which she had received from Diana. These were, a dog that was always sure of its prey, and an arrow which never missed its aim, and returned immediately to the hand of the owner. Ceph´alus was extremely fond of hunting, and when fatigued, he often rested in the shade and invited the presence of “Aura,” or the refreshing breeze. This word was mistaken for the name of a nymph by some persons who carried the tale to Procris. Being jealous in her turn, she determined to watch, and discover her rival. When Ceph´alus returned from hunting, Procris concealed herself in the grove; she started upon hearing the name Aura, and caused a rustling among the leaves. Ceph´alus immediately threw his unerring dart, which returned to his hand stained with the blood of his beloved wife. He hastened to the spot, but it was too late, and Procris expired in his arms, acknowledging she had fallen a victim to her own groundless jealousy.

Ques. To whom was Aurora married?

Ans. She chose for her husband Titho´nus, the son of Laom´edon, king of Troy. This prince was endowed with wonderful beauty; but when Aurora begged of Jove that he might be exempted from death, she forgot to ask at the same time for the bloom of immortal youth. When Titho´nus became old and decrepit, Aurora still watched over him with the tenderest care, “giving him ambrosial food and fair garments.” When Titho´nus could no longer move his aged limbs, and his feeble voice was scarcely heard, the goddess was moved with compassion, and changed him into a grasshopper.

Ques. How was Aurora associated with the Memnon, and what is that legend?

Ans. Memnon was king of the Ethiopians, and son of Titho´nus and Aurora. When Troy was besieged, Memnon came with an army to aid the kindred of his father. In the first engagements he slew Antil´ochus, the son of Nestor, and threw the whole army of the Greeks into disorder. Achil´les, however, appeared on the field, and changed the fortune of the day. The Trojans were routed in their turn, and Memnon fell by the hand of the Grecian hero. Aurora watched the combat from the heavens, and when she saw Memnon fall she directed the winds to convey his body to the banks of the river Æse´pus in Paphlagonia. Here they raised his tomb in a sacred grove, and his obsequies were celebrated with solemn pomp. The sparks, as they rose from the funeral pyre, were changed into birds, which divided into two flocks, and fought together until they fell into the flames and were consumed. According to the poets, Aurora was never consoled for the loss of her son; she mourns unceasingly, and the drops which sparkle in the morning on the grass and flowers are the tears which the goddess continues to shed during the long hours of night. Ancient history mentions many persons of the name of Memnon, particularly a general who distinguished himself in Persia against Alexander the Great. The Memnon of fable was in all probability an Egyptian, and not an Ethiopian king. His statue is still an object of curiosity to travellers.


It is commonly asserted by ancient writers that when the first rays of the rising sun fell upon Memnon's statue, it acknowledged the presence of Aurora, and uttered a sound like the sudden breaking of a harp-string. By some, it was compared to a blow struck on hollow brass.

Compiled From Sources In The Public Domain.

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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915

Shadows In A Timeless Myth Presents - Leto - Latona - Mythological Goddesses

 LATONA—LETO

Ques. Who was Latona?

Ans. She was the daughter of Phœbe and Cœus the Titan. When she was driven from heaven by the jealousy of Juno, she found an asylum in the island of Delos, where she gave birth to Apollo and Diana. Terra (the earth) had promised Juno to give no shelter to her rival, but the island of Delos formerly floated in the sea, and was at that time hidden under the waters. Neptune, pitying the forlorn state of Latona, caused it to emerge from the sea, when it became fixed and immovable for her use.

Ques. Relate the transformation of Lycian peasants into frogs.

Ans. Latona, while wandering with her babes in the country of Lycia, in Asia, arrived, exhausted by heat and fatigue, on the borders of a clear pool. She was about to quench her thirst in the cool waters, when some clowns rudely hindered her. She begged them to have compassion, and not deny her so small a refreshment; but they mocked her prayers, and when she tried to approach they waded into the pool, and, stirring up the mud, defiled the waters so that it became unfit to drink. The goddess was so much incensed, that she changed the cruel rustics into frogs, and condemned them to dwell forever in the muddy pool.

The Greeks personified Night, under the name of Latona; hence she was said to have been the first wife of Jupiter, the mother of Apollo and Diana, (the sun and moon) and the nurse of the earth and stars. The Egyptians had the same allegory, with a little variation, as, according to them, she was grandmother and nurse of Horus and Bu´bastis, their Apollo and Diana.

This goddess is generally represented on ancient monuments, as a large and beautiful woman, wearing a veil. In paintings, the veil is always black; in cutting gems, artists sometimes availed themselves of a dark colored vein in the stone, to produce the same effect, and represent the shades of night. The veil is sometimes studded with stars.


 Compiled From Sources In The Public Domain.

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Smiles & Good Fortune,
Teresa
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It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank and independent. W. Somerset Maugham (1874-1965) Of Human Bondage, 1915